【精品】大学英语作文汇总8篇

在我们平凡的日常里，大家都写过作文吧，通过作文可以把我们那些零零散散的思想，聚集在一块。一篇什么样的作文才能称之为优秀作文呢？下面是小编收集整理的大学英语作文8篇，欢迎阅读，希望大家能够喜欢。

大学英语作文 篇1

Many years ago, it was illegal for college students to get married, because the law declaimed it, it was believed that college students were not suitable to get married. But now, the law has changed a few years ago, considering the teenagers gets mature earlier in the modern world, the law has changed the legal age to get married. So the college students can marry today, though the law admits college students to come to marriage, I think they are not suitable to go that far. First, the main duty of college students is to study, they should focus on their study, marriage will distract them. I advise college students to keep the love relationship, they can enter the marriage when they are working. Second, college students are not mature enough. Marriage means duty, most students are just getting independent, they have a lot of things to learn. College student should not rush to the marriage, they finish their study first.

很多年前，对于大学生来说，结婚是不合法的，因为法律不允许，大家都认为大学生不适合结婚。但是现在，随着几年前法律的改变，考虑到青少年在现代变得日益早熟，法律更改了结婚的合法年龄。因此大学生今天可以结婚，虽然法律允许大学生踏进婚姻，我认为他们还不适宜走进婚姻。第一，大学生的主要任务是学习，他们应该专心学习，婚姻会让他们分心。我建议大学生保持恋爱关系，他们可以工作后结婚。第二，大学生还不足够成熟。婚姻意味着责任，大部分学生才刚刚独立，他们还有很多东西要学习。大学生不应该急着结婚，他们要先完成学习任务。

大学英语作文 篇2

About Smells

in a recent issue of the independent, the rev. t. de witt talmage, of brooklyn, has the following utterance on the subject of smells:

i have a good christian friend who, if he sat in the front pew in church, and a working man should enter the door at the other end would smell him instantly. my friend is not to blame for the sensitiveness of his nose, any more than you would flog a pointer for being keener on the scent than a stupid watch-dog. the fact is, if you had all the churches free, by reason of the miing up of the common people with the uncommon, you would keep one-half of christendom sick at their stomach. if you are going to kill the church thus with bad smells, i will have nothing to do with this work of evangelization.

we have reason to believe that there will be laboring men in heaven; and also a number of negroes, and esquimau, and terra del fuegans, and arabs, and a few indians, and possibly even some spaniards and portuguese. all things are possible with god. we shall have all these sorts of people in heaven; but, alas! in getting them we shall lose the society of dr. talmage. which is to say, we shall lose the company of one who could give more real tone to celestial society than any other contribution brooklyn could furnish. and what would eternal happiness be without the doctor? blissful, unquestionably -- we know that well enough -- but would it be distingue, would it be recherche without him? st. matthew without stockings or sandals; st. jerome bareheaded, and with a coarse brown blanket robe dragging the ground; st. sebastian with scarcely any raiment at all -- these we should see, and should enjoy seeing them; but would we not miss a spike-tailed coat and kids, and turn away regretfully, and say to parties from the orient: these are well enough, but you ought to see talmage of brooklyn. i fear me that in the better world we shall not even have dr. talmages good christian friend. for if he were sitting under the glory of the throne, and the keeper of the keys admitted a benjamin franklin or other laboring man, that friend, with his fine natural powers infinitely augmented by emancipation from hampering flesh, would detect him with a single sniff, and immediately take his hat and ask to be ecused.

to all outward seeming, the rev. t. de witt talmage is of the same material as that used in the construction of his early predecessors in the ministry; and yet one feels that there must be a difference somewhere between him and the saviors first disciples. it may be because here, in the nineteenth century, dr. t. has had advantages which paul and peter and the others could not and did not have. there was a lack of polish about them, and a looseness of etiquette, and a want of eclusiveness, which one cannot help noticing. they healed the very beggars, and held intercourse with people of a villainous odor every day. if the subject of these remarks had been chosen among the original twelve apostles, he would not have associated with the rest, because he could not have stood the fishy smell of some of his comrades who came from around the sea of galilee. he would have resigned his commission with some such remark as he makes in the etract quoted above: master, if thou art going to kill the church thus with bad smells, i will have nothing to do with this work of evangelization. he is a disciple, and makes that remark to the master; the only difference is, that he makes it in the nineteenth instead of the first century.

is there a choir in mr. t.s church? and does it ever occur that they have no better manners than to sing that hymn which is so suggestive of laborers and mechanics:

son of the carpenter! receive this humble work of mine?

now, can it be possible that in a handful of centuries the christian character has fallen away from an imposing heroism that scorned even the stake, the cross, and the ae, to a poor little effeminacy that withers and wilts under an unsavory smell? we are not prepared to believe so, the reverend doctor and his friend to the contrary notwithstanding.

大学英语作文 篇3

With the fast are pace of modern life, more and more people are living under great pressure.

Some people are afraid of pressure. They think that the stresses and strains of work deprive them of joy and happiness. In their view, stress does harm to them both physically and mentally. That is why they prefer something less competitive and strenuous to something more demanding and rs argue that stress isn‘t as bad as it often supposed to be. Unless it is overwhelming, a certain amount of stress is vital to provide motivation and stimulation. With out stress, you may slack off and idle away your time. It gives purpose and meaning to an otherwise meaningless, dull life. People under stress tend to bring their potential into full play and to realize their goals.

In my opinion, we shouldn‘t escape from stress but to face it as it is. What we can do is to adapt to the stress and to profit from it rather than to avoid it.

大学英语作文 篇4

Some university students chooseto live in school dormitories while others choose the apartments outside their campus. People have different views concerning this issue. In my opinion, it would be better if they live in dormitories in the first two years and lease ahouse or apartment outside the campus in late two years.

一些大学生选择住在学校宿舍而其他人则选择住在校园外面的公寓。人们对这一问题有不同的看法。在我看来，头两年住在宿舍，后面两年在校园外面租房子会更好。

They can enjoy more advantages from this choice. To begin with, living in dormitories provides more conveniences for freshmen and sophomores to interact with their classmates get familiar to their schools and surroundings and get the newest news. That wouldbe helpful in their adapting to the new life and developing their nd, they can be more concentrated on their study if they live indormitories. Compared with complex off-campus life, school life which is much more wonderful than ever before is good for students’ concentrating on their addition, in the rest of two years, university students tend to deal with other things instead of academic study only, such as future career planning,pursuing advanced studies and so on. Therefore, leasing a house or apartment outside campus is more convenient for them to receive information, get in touch with realistic society so that they can prepare for their future in advance and find their positions. At the same time, it is a good chance to cultivate their ability in live independently.

这样的选择能让他们享受到更多的好处。首先，住在宿舍可以让一、二年级的学生更好的与同学互动，了解学校，熟悉学校环境，获取最新的消息。这对他们适应新生活，发展他友谊是有帮助的。第二，如果他们住在宿舍，他们可以更专注于自己的学习。与复杂的校外生活相比，学校生活是比他们以往任何时候的生活都要精彩，而且也有利于他们集中精神学习。此外，在后面的两年里，大学生倾向于处理别的事情而不只是学术研究，如未来的职业规划，深造等。因此，在校园外面租房子更便于获取信息，与现实社会接触，因此他们可以提前为他们的未来做准备并找到自己的位置。同时，它也是一个培养独立生活能力的好机会。

In a word, I advocate that freshmen and sophomores live in school dormitories and junior and senior students choose to live outside the campus. Meanwhile, it is also necessary forthem to make their choices in accordance with their financial conditions andother actual satiation.

总之，我认为一、二年级的学生应该住在学校宿舍，三、四年级的学生应该住在校外。同时，根据他们的经济情况以及其他的实际情况来做决定也是很有必要的。

大学英语作文 篇5

there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.

these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?

more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.

every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.

at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?

what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?

first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.

the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.

as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?

the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.

or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.

what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.

installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.

american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.

many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.

why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.

but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.

the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.

its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.

大学英语作文 篇6

On the popularity of wifi

As is vividly depicted in the drawing,three birds are standing on the e another bird is standing on the other side without wire,with its whole body floating in the of the three

birds says:”he’s got wifi’

By depicting this the image,the drawer attempts to expose the popularity of wifi every coin has two sides,so does the one hand,it makes it possible for a wireless-enabled computer or personal digital assistant to connect to the Internet almost time,anywhere,making our life more convenient and interesting And with the development of society,free wifi will be available in may more places,which will make it cheaper for us to surf the the other hand,access points could be used to steal personal information transmitted form wifi users and there is still room for improvement in the signal strength of wifi.

Generally speaking,only when we make the most of the advantages of wifi and get rid of its

disadvantages,will it benefit us.

大学英语作文 篇7

Its Time to Stop Software Piracy

1. 盗版软件比比皆是

2. 盗版软件猖獗的原因

3. 如何打击盗版软件

【作文范文】

Its Time to Stop Software Piracy

China has often been criticized for the rampant practice of software piracy. Take a look around. We operate on pirated Windows systems, defend PC security with pirated Kaspersky anti-virus programmes, process files with pirated Microsoft Office, draft 3D designs with pirated AutoCAD, refine pictures with pirated Adobe Photoshop, and study English with pirated Kingsofts electronic dictionaries and translators. Its no exaggeration that pirated software is everywhere.

The logic behind the phenomenon is simple and clear: if a pirated copy is available for just a tiny fraction of the normal price, not to speak of many of the free downloads online, who would pay for an authentic copy? Cheaper prices aside, easy access is another important factor. With such a large gathering of pirated upgrades around, who would bother to spend time and money searching the stores for an authorized yet outdated version?

Despite these apparent benefits, the practice of software piracy should be banned, because it represents unfair competition and by nature its a no-win situation. But how? Two approaches are to be taken at the same time: Technically, software developers should enhance their antipiracy engineering, so that cracking the software should be virtually impossible. And legally, the government should also tighten its antipiracy laws and toughen up the penalties, so that violations should be costly.

大学英语作文 篇8　　The Craze of Pursuing Graduate Studies 考研热

The Craze of Pursuing Graduate Studies

【精彩范文】

The Craze of Pursuing Graduate Studies

Each year, millions of Chinese college students sit for qualifying examinations for graduate studies, primarily in Master’s programs. Students prepare for those examinations either through years of arduous self-education or by spending large sums of money attending local training schools. The publishing of examinations-related study materials and the training programs offered, both online and offline, have combined to form a sizable industry.

An alarming fact about this craze is that most students pursue graduate studies not out of their voluntary will. Faced with the harsh reality in the employment market, which is forever looking for graduates with higher degrees, many college graduates find going to graduate schools is a good way to avoid unemployment and to enhance one’s competitiveness in future job hunting.

However, without that voluntary initiative, most students who do enter graduate schools are not motivated. For them, the only thing that ultimately counts is the degree or the diploma which they expect could give them an upper hand against other job hunters. As to the actual substance of their graduate studies, it’s not a big deal for them, as long as it leads to that degree or diploma. It is really pathetic to see that students undertake graduate studies with an ulterior motive—not for the sake of loving what they study, but for the sake of merely landing a job, which in many cases might be unrelated to what they have studied.

The chill truth is that students soon find their anticipations are a mere dream. As so many undergraduates proceed onto graduate studies, the employment situation remains as severe as ever. Instead of bringing about apparent competitive edges, two or three years of additional academic training is simply a waste of time and energy. They need to reflect on this craze and would have been better off distinguishing themselves with outstanding knowledge and skills when they were undergraduates.

每年，数以百万计的中国大学生参加研究生入学资格考试，主要是攻读硕士学位课程。学生准备考试的那些通过数年艰辛的自学，或通过花大笔的钱参加当地培训学校。与考试相关的学习材料的出版和提供的培训课程，无论线上线下，一起构成了一个规模可观的产业。

关于这股热潮，一个触目惊心的事实是，大多数学生读研究生不出于他们自愿。面对着就业市场的严峻现实，这是永远寻找学历高的毕业生，许多大学生发现，进入研究生院去是为了避免失业和提升未来求职过程中的竞争力的一个好方法。

然而，没有主动性，大多数的学生进入研究生院没有动机。对他们来说，唯一重要的.是最终的学位或文凭，他们期望相比其他求职者这能给他们一个上风。至于他们研究的实际的物质，他们觉得没有什么大不了的，只要能拿到学位或文凭。看到他们为了这样一个目的，不是热爱他们所研究的东西，而是为了找一个好工作，还不一定是跟他们专业相关的，真的觉得他们好可怜。

令人寒心的事实是，学生们很快就会发现，他们的期望是一个单纯的梦想。因为如此多的大学生走上研究生这条路，就业形势会依然严峻。而不是带来明显的竞争优势，两年或三年额外的学术训练，简直是浪费时间和精力。当他们本科生的时候，他们需要反思这股热潮，要更好的区分自己卓越的知识和技能。